Kagoule / Guru • The Prince Albert • 8 Nov v The Prince Albert
Neat Neat Neat Presents
Kagoule
+ GURU
+ more TBA
The Prince Albert, Brighton
8:00pm | £8 | 18+
TIX >>> https://bit.ly/2MKYdeY
MAILING LIST >>> http://bit.ly/2qOa5TJ
With some time away from the spotlight to consolidate their early achievements and think about the direction they were heading after parting ways with their previous label, Strange Entertainment sees the band finally spinning together their disparate influences into a record that attempts to capture the sum of their parts, and is very much a statement of where Kagoule are pleased to find themselves artistically now they’re at the helm of their own destiny. ͞
We always felt this pressure early on to decide what type of band we were going to be and this record is an exercise in our self-confidence as a band by being all of them at once,͟comments front man Cai Burns "We think we’ve written an album that doesn’t have a direct comparison in guitar music. Lyrically, I think this album is much more mature. I’ve found myself writing songs as a healing process for certain events or to capture moments that I don’t want to forget. I still mask them in fantasy for the fun of it but the topics of each song are more personal and the lyrics far more direct.͟
Completed by bassist Lucy Hatter and drummer Lawrence English, the band are disarmingly relaxed about their success to date. Previously sequestered in Nottingham and for the most part unaware of the growing buzz around the band, following the critical plaudits and acclaim heaped on their 2015 debut Urth, Kagoule were wholeheartedly adopted by the flourishing Brighton rock scene. However, the trio found themselves wary of being consumed by it entirely, keeping their distance and taking from it what they felt the band needed to grow. ͞
"We were all very young and I think we allowed ourselves to be mollycoddled a bit too much. It took a few years for us to realise we had to take control of it for ourselves,͟" continues Burns ͞Urth was very much an ode to grunge I think. Although I maybe didn’t realise at the time, when I listen back the early 90’s influences are plastered all over it. Since then we’ve branched out on what we listen to and a huge amount of different influences have crept in. With the guitar playing I wanted to take it more into the post-punk world. The bass lines are groovier and the drumming is just straight up weird.
New album Strange Entertainment was produced by MJ Hookworms and mixed by Tarek Musa from Spring King in two separate sessions ͞because we ran out of money͟, admits Burns in typically honest fashion ͞Working with MJ was great. He understood where we were coming from and instantly knew we didn’t want to be balls out rock music - he put forward some great ideas for the songs and his input made a big difference to the record.
It took the band another year or so to scrape together funds for Musa’s mixing sessions, but Burns insists the results were worth the wait,͞Tarek did an amazing job working with something he hadn’t recorded himself. We’d recently been on tour with Spring King so I think that really helped him know what to do with it sonically.͟
In a time where Burns himself admits that he’s unsure as to whether the political climate has been good for music or not, the album is indicative of a pervading sense of lack of direction and unease
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